https://youngbeethoven.mxth.at/index.php?action=history&feed=atom&title=Symphony_in_E-flat_%28J._Reicha%29 2026-07-07T04:17:23Z Revision history for this page on the wiki MediaWiki 1.37.1 https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=970&oldid=prev 2023-10-17T10:08:14Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:08, 17 October 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Josef Reicha|Matej Josef Reicha]] is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with the violinist Anton Janitsch) to lead the orchestra, Reicha largely seems to have stopped composing after the move. But a considerable number of his works were published posthumously by [[Nikolaus Simrock]] in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Josef Reicha|Matej Josef Reicha]] is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by <ins style="font-weight: bold; text-decoration: none;">[[Maximilian Franz of Austria|</ins>Elector Maximilian Franz<ins style="font-weight: bold; text-decoration: none;">]] </ins>(who had most likely met Reicha in Vienna in 1778 on his tour with the violinist Anton Janitsch) to lead the orchestra, Reicha largely seems to have stopped composing after the move. But a considerable number of his works were published posthumously by [[Nikolaus Simrock]] in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-969:rev-970 --> </table>

131.130.179.159 https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=969&oldid=prev 2023-10-17T10:07:33Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:07, 17 October 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Reicha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with the violinist Anton Janitsch) to lead the orchestra, Reicha largely seems to have stopped composing after the move. But a considerable number of his works were published posthumously by [[Nikolaus Simrock]] in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Josef Reicha|</ins>Matej Josef Reicha<ins style="font-weight: bold; text-decoration: none;">]] </ins>is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with the violinist Anton Janitsch) to lead the orchestra, Reicha largely seems to have stopped composing after the move. But a considerable number of his works were published posthumously by [[Nikolaus Simrock]] in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-674:rev-969 --> </table>

131.130.179.159 https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=674&oldid=prev 2023-06-30T17:36:05Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:36, 30 June 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Reicha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with Anton <del style="font-weight: bold; text-decoration: none;">Janic</del>) to lead the orchestra, Reicha largely seems to have stopped composing after the move. But a considerable number of his works were published posthumously by [[Nikolaus Simrock]] in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Reicha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with <ins style="font-weight: bold; text-decoration: none;">the violinist </ins>Anton <ins style="font-weight: bold; text-decoration: none;">Janitsch</ins>) to lead the orchestra, Reicha largely seems to have stopped composing after the move. But a considerable number of his works were published posthumously by [[Nikolaus Simrock]] in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-553:rev-674 --> </table>

131.130.179.159 https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=553&oldid=prev 2023-02-16T22:07:33Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:07, 17 February 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Reicha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, Reicha largely seems to have stopped composing after the move. But a considerable number of his works were published posthumously by Nikolaus Simrock in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Reicha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, Reicha largely seems to have stopped composing after the move. But a considerable number of his works were published posthumously by <ins style="font-weight: bold; text-decoration: none;">[[</ins>Nikolaus Simrock<ins style="font-weight: bold; text-decoration: none;">]] </ins>in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-540:rev-553 --> </table>

JDWpianist https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=540&oldid=prev 2023-02-15T21:06:01Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:06, 15 February 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Reicha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, <del style="font-weight: bold; text-decoration: none;">Rejcha </del>largely seems to have stopped composing. But a considerable number of his works were published posthumously by Nikolaus Simrock in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Reicha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, <ins style="font-weight: bold; text-decoration: none;">Reicha </ins>largely seems to have stopped composing <ins style="font-weight: bold; text-decoration: none;">after the move</ins>. But a considerable number of his works were published posthumously by Nikolaus Simrock in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-539:rev-540 --> </table>

JDWpianist https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=539&oldid=prev 2023-02-15T21:03:14Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:03, 15 February 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13">Line 13:</td> <td colspan="2" class="diff-lineno">Line 13:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Harburg, Oettingen-Wallersteiner Bibliothek, HR.III.4.1/2.4° 501</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Harburg, Oettingen-Wallersteiner Bibliothek, HR.III.4.1/2.4° 501</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">::</del>*Autograph Score and Copyist Parts (RISM entries [https://opac.rism.info/search?id=450025438&amp;View=rism 450025438]and [https://opac.rism.info/search?id=450025439&amp;View=rism 450025439])</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">#</ins>*Autograph Score and Copyist Parts (RISM entries [https://opac.rism.info/search?id=450025438&amp;View=rism 450025438]and [https://opac.rism.info/search?id=450025439&amp;View=rism 450025439])</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"># Simrock Print, Op. 5/2 (no known exemplars)</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">#*A [https://opac.rism.info/search?id=220035571&amp;View=rism later MS copy] made by the Erholungsgesellschaft in Eisleben mentions the Simrock edition on the title page.</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-538:rev-539 --> </table>

JDWpianist https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=538&oldid=prev 2023-02-15T18:07:59Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:07, 15 February 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l10">Line 10:</td> <td colspan="2" class="diff-lineno">Line 10:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Reicha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, Rejcha largely seems to have stopped composing. But a considerable number of his works were published posthumously by Nikolaus Simrock in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Reicha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Reicha in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, Rejcha largely seems to have stopped composing. But a considerable number of his works were published posthumously by Nikolaus Simrock in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">== Sources ==</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"># Harburg, Oettingen-Wallersteiner Bibliothek, HR.III.4.1/2.4° 501</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">::*Autograph Score and Copyist Parts (RISM entries [https://opac.rism.info/search?id=450025438&amp;View=rism 450025438]and [https://opac.rism.info/search?id=450025439&amp;View=rism 450025439])</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-537:rev-538 --> </table>

JDWpianist https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=537&oldid=prev 2023-02-15T18:01:54Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:01, 15 February 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Instrumentation:''' two oboes, two horns in Eb, and strings</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef <del style="font-weight: bold; text-decoration: none;">Rejcha </del>is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met <del style="font-weight: bold; text-decoration: none;">Rejcha </del>in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, Rejcha largely seems to have stopped composing. But a considerable number of his works were published posthumously by Nikolaus Simrock in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef <ins style="font-weight: bold; text-decoration: none;">Reicha </ins>is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met <ins style="font-weight: bold; text-decoration: none;">Reicha </ins>in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, Rejcha largely seems to have stopped composing. But a considerable number of his works were published posthumously by Nikolaus Simrock in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-536:rev-537 --> </table>

JDWpianist https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=536&oldid=prev 2023-02-15T18:00:55Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:00, 15 February 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td> <td colspan="2" class="diff-lineno">Line 7:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:Description=composed in Oettingen-Wallerstein, c. 1784</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:Description=composed in Oettingen-Wallerstein, c. 1784</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">for </del>two oboes, two horns in Eb, and strings</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Instrumentation:''' </ins>two oboes, two horns in Eb, and strings</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Rejcha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Rejcha in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, Rejcha largely seems to have stopped composing. But a considerable number of his works were published posthumously by Nikolaus Simrock in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Matej Josef Rejcha is known to have composed three symphonies during his years as cellist and Kapellmeister at the princely court of Oettingen-Wallerstein (1774–1785), a court which was renowned for its instrumental music. After being called to Bonn in 1785 by Elector Maximilian Franz (who had most likely met Rejcha in Vienna in 1778 on his tour with Anton Janic) to lead the orchestra, Rejcha largely seems to have stopped composing. But a considerable number of his works were published posthumously by Nikolaus Simrock in Bonn, which strongly indicates that his Wallerstein compositions were also known in Bonn. The Symphony in E-Flat Major is, like those of other composers associated with this court, cast in four movements, generously proportioned for its time. Particularly striking are the Maestoso introduction (which Ludwig Schiedermair believed influenced the young Beethoven) and the C-minor Andante, written in a double-variation form most commonly associated with Haydn. Another local particularity is the rustic Menuetto, written in a style known contemporaneously as “Menuetto fresco.” The gifted virtuoso cellist writes for the strings with particular nuance and sensitivity throughout, as well as a keen musical intelligence that must have been inspiring to the young musicians – including Beethoven and Anton Reicha – who performed under him.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-418:rev-536 --> </table>

JDWpianist https://youngbeethoven.mxth.at/index.php?title=Symphony_in_E-flat_(J._Reicha)&diff=418&oldid=prev 2023-02-04T16:39:31Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:39, 4 February 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2">Line 2:</td> <td colspan="2" class="diff-lineno">Line 2:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:Composer=Josef Reicha</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:Composer=Josef Reicha</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:Title=Symphony in E-flat</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:Title=Symphony in E-flat</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|Composition:<del style="font-weight: bold; text-decoration: none;">Date</del>=1784<del style="font-weight: bold; text-decoration: none;">-01-01</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|Composition:<ins style="font-weight: bold; text-decoration: none;">Year</ins>=1784</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:CatalogNr=ReiR 1.02</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:CatalogNr=ReiR 1.02</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:Score=Conducting Score - Symphony in Eb (J. Reicha).pdf</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Composition:Score=Conducting Score - Symphony in Eb (J. Reicha).pdf</div></td></tr> <!-- diff cache key wiki:diff::1.12:old-415:rev-418 --> </table>

JDWpianist